Covering to do good

Unlike a theatre mask, a face mask does not turn its wearer into someone else. It works on the skin during a pause: one lies down, waits, lets it work. It is a care that requires showing nothing for a while.

Dreams use this image for a time of repair of one's self-image: growing a new skin, taking care of what others see first. Applying a mask to someone else's face adds a gesture of care towards them, or the wish to change the image they give.

Smooth and radiant

Facial care is very old. The Roman poet Ovid already gives a recipe based on barley, eggs and honey, and promises the woman who uses it a face smoother than her mirror. Cereals, milk, clay: the oldest masks are made of what nourishes.

In a dream, the material of the mask matters. A simple, nourishing substance such as whole wheat says that radiance comes from what is elementary: basic food, the whole grain. A face that becomes smooth and glows after the treatment speaks of a calmed image, rid of its roughness, and of a light that comes from within rather than from make-up.

What the treatment shows changes the reading

A psychological reading, not a ready-made box

Jung calls persona the social face each of us presents to others. The theatre mask fixes it; the face mask works on it from within. The dream may thus speak of a gentler relationship with one's image: neither hiding it nor playing it, but nourishing it, so that it matches more closely who one is.

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